Stock imagery is the fastest way to look like everyone else. We shoot the real thing — your people, your product, your space — and cut it into content built for the website, the ad account and the feed at the same time.
Every shoot is planned backwards from where the content has to live. One day on site should feed the homepage, the ad account, the email list and three months of social — and it does when it is planned that way from the start.
Lighting, styling and direction built around how your brand already looks — so the imagery drops into the site and the campaigns without a fight.
The same footage cut wide for the website hero, square for the feed and vertical for Reels, TikTok and Stories — framed for all three while we are still on set.
Because the same team runs the ads and builds the sites, the content is cut for the place it has to work — hook first, compressed properly, sized for Core Web Vitals.
Studio, on location, in the air or across an event weekend — the planning and the delivery standard stay the same.
The imagery your about page, careers page and sales deck have been waiting for. Real people, real premises, lit properly and consistent across the whole set.
Clean studio work for e-commerce, plus in-context lifestyle sets that give the same product somewhere to live on social and in ads.
The ninety seconds that explain what you do and why anyone should care — scripted, interviewed, shot and cut, with the b-roll to support it.
Multi-day event coverage with fast turnaround for the recap, plus FAA-compliant drone work for property, venue and large-site aerials.
No day-rate surprises and no licensing meter running after delivery. This is the baseline on every project, from a half-day product set to a multi-day brand film.
From a NASCAR weekend at Daytona to a product set in the studio — same crew, same standard.
A race-weekend activation at Daytona captured and cut for social, the website and the sponsorship recap in the same week.
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Before-and-after detailing sets shot on a rolling schedule, feeding the site gallery and a permanent content calendar.
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Performance-brand storytelling — automotive photography and rolling video shot in-house and built into the site around it.
View Project →We own our equipment, which means we bring what the shot needs instead of what the rental budget allowed — and it never becomes a line item you have to approve.
Full-frame bodies and prime glass for stills and video, shot in log and graded properly. 4K delivery as standard, higher when the campaign warrants it.
Continuous and strobe lighting, modifiers, lav and shotgun audio, sliders and gimbals. Interviews sound like interviews, not a phone in a room.
FAA Part 107 certified for commercial aerial work — property, venue, construction and event coverage, flown legally and insured.
In-house editing, colour grading, retouching, motion graphics and sound design. Nothing gets handed to a freelancer who has never met your brand.
We are a marketing agency that shoots, not a studio that also does marketing. The difference shows up in what the content is actually able to do after delivery.
The team cutting the video also runs the ad account it is going into. Hooks, lengths and crops are decided by what performs, not by what looked nice in the edit.
We plan shoots so a single day produces stills, long-form video and a stack of vertical cutdowns — instead of three separate bookings.
Full commercial usage rights transfer on delivery. No annual licensing, no re-use fees, no asking permission to run your own photography.
Because we also build the websites, the imagery is delivered at the crops and file sizes the layout was drawn around — not squeezed in afterwards.
Every industry photographs differently — a dental practice, a restaurant and a construction site need three completely different days.
What needs shooting, what is off limits and what actually converts changes by sector. Start with yours.
Based in St. Augustine, shooting across North Florida — and travelling for clients nationwide.
Not On The List? Ask Us →It depends on how many days on set, how much post-production the edit needs, and whether talent, props or locations have to be arranged. A half-day product set sits at the lower end; a multi-day brand film with a full crew sits higher. We quote the whole project in writing, not an hourly rate that grows.
Most photography is delivered within a week of the shoot and video within two. Event recaps can be turned around in a few days when the deadline needs it. If something is time-critical, tell us before the shoot and we will build the schedule around it.
Yes. Full commercial usage rights transfer to you on delivery — website, social, print, paid ads, anywhere. There are no annual licences, no renewal fees and no asking permission to use your own content later.
You do, and we write it. Pre-production is included: we agree the creative brief, build the shot list and issue a call sheet before the day. That is what stops a shoot day turning into an expensive improvisation.
Yes, and we frame for it on set rather than cropping the middle out of a wide shot afterwards. Every video project is delivered in 16:9, 1:1, 4:5 and 9:16, with 6, 15 and 30 second cutdowns and open captions for silent autoplay.
We do, and it is. Our aerial work is flown under FAA Part 107 commercial certification and insured. That matters for property, venue, construction and event work — and it is the difference between usable footage and a liability.
That is usually the point. We also run paid media and build the websites, so the same shoot can be delivered as web-optimized hero imagery, ad creative in every placement size, and a social library — all sized and compressed correctly for each.
Yes. We are based in St. Augustine and shoot regularly across Jacksonville, Ponte Vedra and North Florida, and we travel nationally for clients. Travel is quoted transparently up front, never added afterwards.
Tell us what you need the content to do and where it has to live. We will come back with a shoot plan, a timeline and a fixed price — and tell you plainly if you need less than you think you do.